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Los Angeles Chamber Orchestra Explores Beethoven’s “Eroica” at Annual Discover Concert

Music Director Jeffrey Kahane Serves as Performance’s Musical “Tour Guide,” Offering Insights into Score of Beethoven’s Masterwork

Saturday, February 22, 2014, 8 pm, at Ambassador Auditorium, Pasadena

Los Angeles Chamber Orchestra Music Director Jeffrey Kahane serves as musical “tour guide” for LACO’s annual Discover program, which this season features a special one-night-only exploration of Beethoven’s Symphony No. 3 in E-flat major, “Eroica,” on Saturday, February 22, 2014, 8 pm, at Pasadena’s historic Ambassador Auditorium. The evening is designed to lead patrons to a greater understanding and appreciation of a musical touchstone that forever changed the nature of the symphony and to help them hear the work with “new ears.” Kahane begins by discussing how Beethoven’s innovative tour de force revolutionized the symphony form, illustrated by the Orchestra. After intermission, he conducts a performance of the full work, followed by a question and answer segment with the audience.

Kahane, lauded for his “eloquence” (The New York Times), explores a different work each year for LACO’s annual Discover concert. According to LA Opening Nights, “Some conductors are born educators, and Jeffrey Kahane is one of them.”

Tickets (starting at $25) are on sale now and may be purchased online at, by calling LACO at 213 622 7001, or at the venue box office on the night of the concert, if tickets remain. Student rush tickets ($10), based on availability, may be purchased at the box office the day of the concert.


Equally at home at the keyboard or on the podium, JEFFREY KAHANE has established an international reputation as a truly versatile artist, recognized around the world for his mastery of diverse repertoire ranging from Bach, Mozart and Beethoven to Gershwin, Golijov and John Adams. The 2013-14 season marks Kahane’s 17th season as the Los Angeles Chamber Orchestra’s music director. He previously served as music director of the Colorado and Santa Rosa symphonies. He has garnered tremendous critical acclaim for his innovative programming and commitment to education and community involvement and received multiple ASCAP Awards for Adventurous Programming for his work in both Los Angeles and Denver. In addition to his programs and projects with LACO, recent and upcoming engagements include appearances at the Aspen, Mostly Mozart, Ravinia, Blossom, Music@Menlo, Chamber Music Northwest and Oregon Bach festivals; recitals in Salt Lake City, Scottsdale, Carmel and at the Laguna Beach Festival; concerto performances with the Toronto, Indianapolis, Houston, Oregon and Colorado symphonies and the St. Paul Chamber Orchestra; play/conduct engagements the Philadelphia Orchestra, the New York Philharmonic and the San Francisco, National, Vancouver, Seattle and New Jersey symphonies; and conducting the New England Conservatory Symphony Orchestra in Boston and the Juilliard Orchestra at Lincoln Center. Kahane’s recent and upcoming European engagements include play/conduct programs with the Camerata Salzburg, Hamburg Symphony and the Real Filharmonía de Galicia in Spain as well as appearances at the Meck-Pomm Chamber Music Festival in Germany.

LOS ANGELES CHAMBER ORCHESTRA (LACO), proclaimed “America’s finest chamber orchestra” by Public Radio International, has established itself among the world’s top musical ensembles. Since 1997, LACO has performed under the baton of acclaimed conductor and pianist Jeffrey Kahane, hailed by critics as “visionary” and “a conductor of uncommon intellect, insight and musical integrity” with “undeniable charisma.” Under Kahane’s leadership, the Orchestra maintains its status as a preeminent interpreter of historical masterworks and a champion of contemporary composers. During its 45-year history, the Orchestra has made 31 recordings, toured Europe, South America and Japan, performed across North America and garnered eight ASCAP Awards for Adventurous Programming. Headquartered in downtown Los Angeles, LACO presents its Orchestral Series on Saturdays either at Pasadena’s Ambassador Auditorium or Glendale’s Alex Theatre and on Sundays at UCLA’s Royce Hall; Baroque Conversations at downtown Los Angeles’ Zipper Concert Hall; Westside Connections chamber music series, designed to illustrate the relationship between music and other artistic disciplines, at the Moss Theater in Santa Monica; and an annual Discover concert, which features an in-depth examination that sheds new light on a single piece of music, at Pasadena’s Ambassador Auditorium. LACO also presents a Concert Gala, an annual Silent Film screening and several fundraising salons each year. Additionally, LACO outreach programs Meet the Music, Community Partners, Campus to Concert Hall and the LACO/USC Thornton Strings Mentorship Program reach thousands of young people annually, nurturing future musicians and composers as well as inspiring a love of classical music.


Los Angeles Chamber Orchestra
Discover Beethoven’s Eroica
Jeffrey Kahane, conductor, piano and musical “tour guide”

BEETHOVEN Symphony No. 3 in E-flat major, “Eroica”

Saturday, February 22, 2014, 8 pm

Ambassador Auditorium
131 S. Saint John Avenue
Pasadena, CA 91123

Tickets start at $25;
Student rush tickets ($10), based on availability, may be purchased at the box office the day of the concert; also available for college students is LACO’s “Campus to Concert Hall All Access Pass” for college students ($25) – good for all seven of LACO’s Orchestral Series concert, Discover Beethoven’s Eroica and for all three Westside Connections concerts.

Tickets available online at, by phone 213 622 7001 or by fax 213 626 2157;
Tickets also on sale at the theatre box office the night of the concert, if available.




Set in out of the ordinary locales, SESSION is a unique experience where LACO musicians join forces with compelling composers. Each program is designed to fit the unique properties of a space and test ideas about the relationship between performers and audience.

Sound Investment

Meet the composer, hear excerpts of the score-in-progress and attend a full orchestral rehearsal of the completed work.