Photo of Bernstein by Al Ravenna, and made available via the Library of Congress New York World-Telegram & Sun Collection.
Photo of Bernstein by Al Ravenna, and made available via the Library of Congress New York World-Telegram & Sun Collection.

Happy Birthday to American composer and conductor, Leonard Bernstein! Today would be his 100th birthday year. This season LACO celebrates the centennial with super-star violinist Joshua Bell performing Bernstein’s Serenade (after Plato’s Symposium) at our inaugural orchestral series concert. A five movement concerto for violin, strings and percussion, Serenade is considered one of Bernstein’s most personal compositions.

“Bernstein’s music crackles with eternal optimism. Even in his melancholy works, there’s always a yearning for something better,” says LACO Executive Director Scott Harrison. “The Serenade is a meditation on love from five different angles, from a man who loved being loved, surrounded by friends, family, colleagues, parties, conversation and music.”  

bernstein & music education

While Bernstein is well remembered for his music compositions and conducting, he became a well-known figure in the United States by giving television lectures on classical music. He made the first of his television lectures for the CBS arts program Omnibus in 1954. The live lecture, entitled “Beethoven’s Fifth Symphony”, involved Bernstein explaining the work with the aid of orchestra musicians and a giant page of the score covering the floor.

The programs were shown in many countries around the world, often with Bernstein dubbed into other languages. He became as famous for his educational work in those concerts as for his conducting.

bernstein & social justice

Poster for Bernstein with Amnesty International
Bernstein supported Amnesty International from its birth.

He was also known for his outspoken political views and his strong desire to further social change. Felicia Cohn Montealegre, Bernstein’s wife, was from Chile. In Chile, Between 1973 and 1977, thousands of political activists, their colleagues and their families were tortured, killed or “disappeared.” Bernstein not only cared deeply about persecution in Chile and elsewhere, but also translated his concern into action by supporting Amnesty International‘s work.

Bernstein established the Felicia Montealegre Bernstein Fund of Amnesty International USA to provide much-needed support for human rights activists. The Fund was the first of its kind.

As he went on in his career Bernstein would go on to fight for everything from the influences of “American Music” to nuclear disarmament.

bernstein’s ode to freedom 

On December 25, 1989, Bernstein conducted Beethoven‘s Symphony No. 9 in East Berlin’s Schauspielhaus as part of a celebration of the fall of the Berlin Wall. He had conducted the same work in West Berlin the previous day. The orchestra consisted of musicians from both East and West Germany, plus the four occupying powers who had waged war against Germany in World War II: Great Britain, France, Russia and the United States. 

For the occasion, Bernstein reworded Friedrich Schiller‘s text of the Ode to Joy, substituting the word Freiheit (freedom) for Freude (joy). Bernstein, in his spoken introduction, said that they had “taken the liberty” of doing this because of a “most likely phony” story, apparently believed in some quarters, that Schiller wrote an “Ode to Freedom” that is now presumed lost. Bernstein added, “I’m sure that Beethoven would have given us his blessing.”

He announced his retirement from conducting on October 9, 1990, and died of a heart attack five days later. He was 72 years old. On the day of his funeral procession through the streets of Manhattan, construction workers removed their hats and waved, calling out “Goodbye, Lenny.”

Bernstein is buried in New York, next to his wife and with a copy of Mahler’s Fifth lying across his heart.

SESSION

Set in out of the ordinary locales, SESSION is a unique experience where LACO musicians join forces with compelling composers. Each program is designed to fit the unique properties of a space and test ideas about the relationship between performers and audience.

Sound Investment

Meet the composer, hear excerpts of the score-in-progress and attend a full orchestral rehearsal of the completed work.