Cooke, Sasha - credit Dario Acosta 02

Sunday evening was the world premiere of Sound Investment composer Julia Adolphe’s “Shiver and Bloom,” a beautiful piece for twenty instruments including the harp. The opening violins, with intricate solos by the harp, flute and clarinet winding through them, delivered the “Shiver” quite well. The “Bloom,” on the other hand, wasn’t as heartfelt. The music was interesting and beautiful, but the seed of “Shiver” never quite blossomed into a “Bloom,” leaving behind something to be desired. Perhaps a second listen will garner a better understanding.

I was excited to hear the Mezzo-Soprano, Sasha Cooke. There is a certain richness to the tones of Mezzos that I particularly enjoy. She sang selections from Mahler, Mozart and Handel; I personally preferred the Mozart and the Handel. In the Mahler piece, Cooke’s powerful voice seem to exist on top of the musical accompaniment, which felt somewhat isolated, whereas there was more of a partnership when her voice interchanged with the accompaniment in the Mozart piece. In the work by Handel, Cooke’s emotional range was on full display. She has a truly beautiful voice, but what truly impressed me was her stage presence.  T’was a wonderful presentation, by a masterful artist.

After intermission (or “halftime,” as my husband calls it) we were treated to Brahms’ Piano Concerto No. 2, played by a very dapper Jon Kimura Parker. I like his style. I am a fan of piano concertos, so I enjoyed this very much. There were no revelations, but it was a fine presentation, executed beautifully by the Orchestra and the pianist. As always, Kahane provided his audience with a bit of explanatory context to his presentations, which I am certain I will dearly miss when he retires. Once again, the people who snuck out to beat the parking lot jam during the final applause missed dessert! There was a pleasant surprise saved for the encore, with Kahane and Parker playing the four-handed Brahms’s Hungarian Dance No. 6. They played it with humor, gusto and relaxed abandon, the perfect cherry on top of another great night of music by this wonderful Orchestra.

adventure pack: final four

A four concert package geared to the first-timer that showcases the ensemble’s artistry and trademark mix of regal classics and music from today’s leading composers. Includes tickets to hear the Mozart Requiem conducted by Jaime Martín in his debut performance as music director designate.

adventure pack: pushing the envelope

Join "America's finest chamber orchestra" for a four concert package aimed at adventurous listeners featuring World Premieres from composers James Newton Howard, Sarah Gibson and Juan Pablo Contreras as well as the West Coast premiere of Grammy award-winning Bryce Dessner’s Voy A Dormir.

adventure pack: regal classics

Join Los Angeles Chamber Orchestra for a budget-friendly three concert journey through European music history showcasing the undisputed cornerstones of orchestral repertoire including Bach’s Orchestral Suites Nos. 1 & 3 as well as works by Mozart, Handel and Haydn.