“Tuning In” is LACO’s signature behind-the-music blurb that gives additional context to the repertoire that the Orchestra performs..

When we think of Ludwig van Beethoven, we often picture the famously belligerent composer with wild hair, furiously scribbling pages of music his deaf ears will never know. There is perhaps no better anecdote that illustrates the accuracy of this image than the story behind the name of Beethoven’s Third Symphony: “Eroica,” or “Heroic.”

At the turn of the 19th century, Beethoven’s world seems to be crashing down around him. His hearing is failing, he is withdrawing into solitude and his music is the only thing preventing him from suicide. It is in this tumultuous time that the idea for his third symphony is born.
Given the circumstances, it may seem surprising that Beethoven would write such an heroic piece. However, while experiencing his own personal hell, Beethoven finds hope in Napoleon Bonaparte. Fresh off the victory of the French Revolution, Napoleon has catapulted to power, much to the delight of the non-aristocratic classes of Western Europe.

Beethoven finds solace in Napoleon, and comes to idolize him as a champion of the common man—a true hero. In his admiration, the working title for his third symphony becomes “Bonaparte,” and on the title page, he signs his first name as Louis, the French translation of Ludwig.
Then, Napoleon declares himself Emperor.

Needless to say, Beethoven did not take the news well. Ferdinand Ries, the man who broke this news to Beethoven, recounts that the composer flew into a fit of rage, ripping the dedication from the page and proclaiming Napoleon “no more than a common mortal…a tyrant.” To this day, the manuscript’s torn visage reflects the immensity of Beethoven’s wrath.

Following Beethoven’s disillusionment, the symphony is renamed “Eroica,” and Beethoven’s subsequent works embark on a darker path, reflecting the composer’s descent into madness. Nevertheless, the question still stands: why “Eroica?” Perhaps the composer viewed the symphony’s themes as too triumphant to name it anything else. Or perhaps, it is because music itself is Beethoven’s only remaining hero.

S E S S I O N spiva

Produced in collaboration with Four Larks, SESSION featured the world premiere of The Body Overcome by Derrick Spiva Jr, hindustani vocalist Saili Oak, a US premiere by composer Juan Pablo Contreras and works by Conor Brown, Salina Fisher and Reena Esmail.

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Have you ever listened to a favorite symphony and wondered what shaped the composer’s ideas? How the orchestra players reacted upon first reading the new score? How the composer felt as musicians finally gave sonic life to notes on paper?

You can get answers when you commission a new work of music through Sound Investment.

LA Orchestra Fellowship

The LA Orchestra Fellowship is a two-year orchestra intensive for musicians on violin, viola, and cello.

Fellows are mentored in chamber and orchestral performance and gain invaluable experience while training and playing alongside Los Angeles Chamber Orchestra musicians, faculty at USC Thornton and mentor members of the Inner City Youth Orchestra of Los Angeles.