composer Sarah Gibson

Sarah Gibson

2018 — 19 sound investment composer

Sarah Gibson is a composer and pianist who has been called “a serious talent to watch” (Atlanta Journal Constitution). Her works have received honors and recognitions such as the American Composers Orchestra Underwood New Music Readings, Victor Herbert ASCAP award, NFMC Marion Richter American Music Composition Award, and first place in the Percussive Arts Society Composition Contest. Her Left-hand Piano Concerto was selected as a winner of The University of Southern California’s (USC) New Music for Orchestra competition and was premiered with Sarah at the keyboard. She has received commissions from the Aspen Summer Music Festival and School, L.A. Signal Lab, the Bennington Chamber Music Conference, soprano Lindsay Kesselman, among others.

Gibson’s music has been performed by the American Composers Orchestra, members of Eighth Blackbird, Lindsay Kesselman, What’s Next?, USC Thornton Edge, the USC Symphony, L.A. Signal Lab, Aperture Duo, and at various venues across the United States and in Europe. As a pianist, Sarah has performed with many of these ensembles as well as with wildUp, the Bang on a Can All-Stars, and the Atlanta Symphony where she debuted under the direction of Donald Runnicles in 2005. Sarah is published by the Neil A. Kjos Music Company, Mostly Marimba Productions, and wrote the piano reduction for Stephen Hartke’s Clarinet Concerto published by Keiser Classical. Her song cycle, Arson, is recorded by Bad Wolf Music Group, performed by Lindsay Kesselman and Christopher Lees.

Sarah is co-founder of the new music piano duo, HOCKET, which has been lauded as “brilliant” by the LA Times’ Mark Swed. In 2014, HOCKET made its debut with the Boston-based Firebird Ensemble as part of their Outstanding Young Artists Initiative. Sarah was a fellow at the Bang on a Can Music Festival @ MassMoCA where HOCKET gave a solo recital. HOCKET has held residences at Avaloch Farm Music Institute and received grants from the Earle Brown Music Foundation and the Presser Foundation. HOCKET has performed at such festivals as the MATA Festival, the L.A. Philharmonic’s Noon to Midnight, and the Carlsbad Music Festival.

Sarah received Bachelor of Music Degrees with high honors in Piano and Composition from Indiana University, a Masters of Music degree in Composition at the University of Southern California where she was named Outstanding Graduate, and a Doctorate of Musical Arts degree in composition, also at USC, with minors in Keyboard Collaborative Arts, Theory, and Conducting. Currently, she is Faculty in Theory and Analysis at USC.

Alongside Artistic Director Andrew Norman, she is the Lead-Teaching Artist for the esteemed Nancy and Barry Sanders Los Angeles Philharmonic Composer Fellowship Program.

highlights:
S E S S I O N spiva

Produced in collaboration with Four Larks, SESSION featured the world premiere of The Body Overcome by Derrick Spiva Jr, hindustani vocalist Saili Oak, a US premiere by composer Juan Pablo Contreras and works by Conor Brown, Salina Fisher and Reena Esmail.

join us:
Sound Investment

Have you ever listened to a favorite symphony and wondered what shaped the composer’s ideas? How the orchestra players reacted upon first reading the new score? How the composer felt as musicians finally gave sonic life to notes on paper?

You can get answers when you commission a new work of music through Sound Investment.

LA Orchestra Fellowship

The LA Orchestra Fellowship is a two-year orchestra intensive for musicians on violin, viola, and cello.

Fellows are mentored in chamber and orchestral performance and gain invaluable experience while training and playing alongside Los Angeles Chamber Orchestra musicians, faculty at USC Thornton and mentor members of the Inner City Youth Orchestra of Los Angeles.